Normal view MARC view ISBD view

Derviški obred sagledan iz etnomuzikološke i rodne perspektive. Primjer derviškog reda Rufai u Hrvatskoj / Rubić, Tihana ; Petrović, Željka.

By: Rubić, Tihana.
Contributor(s): Petrović, Željka [aut].
Material type: ArticleArticleDescription: str.Other title: Dervish ritual through ethnomusicological and gender perspective. The example of the Rufai order in Croatia [Naslov na engleskom:].Subject(s): 6.08 | derviši, rodna istraživanje, etnomuzikološko istraživanje, vjerski ritual hrv | dervishes, gender study, ethnomusicological study, religious ritual eng In: EASA 2008 Biennial Conference: Experiencing Diversity and Mutuality (26. do 30. kolovoza 2008. ; Ljubljana, Slovenija)Summary: The paper is based on observation and narrative interviews, both particular anthropological fieldwork methods. The short-term ethnographic fieldwork was conducted among dervishes of the Rufai order, placed in Pehlin (improvised settlement, town of Rijeka, Adriatic Coast) while celebrating Nevruz (22.3.). In this paper we examine the ways in which the self-identity is constructed throughout the fact of having specific musical skills, or, on the other hand, being a woman.
Tags from this library: No tags from this library for this title. Log in to add tags.
No physical items for this record

The paper is based on observation and narrative interviews, both particular anthropological fieldwork methods. The short-term ethnographic fieldwork was conducted among dervishes of the Rufai order, placed in Pehlin (improvised settlement, town of Rijeka, Adriatic Coast) while celebrating Nevruz (22.3.). In this paper we examine the ways in which the self-identity is constructed throughout the fact of having specific musical skills, or, on the other hand, being a woman.

Projekt MZOS 189-1890668-0662

ENG

There are no comments for this item.

Log in to your account to post a comment.

Powered by Koha

//