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A companion to Spanish cinema / edited by Jo Labanyi and Tatjana Pavlović.

Contributor(s): Labanyi, Jo [edt, aui] | Pavlović, Tatjana [edt, aui] | Dapena, Gerard [aut] | D'Lugo, Marvin [aut] | Elena, Alberto [aut] | Epps, Brad [aut] | Colmeiro, José [aut] | Gabilondo, Joseba [aut] | Smith, Paul Julian [aut] | Lázaro-Reboll, Antonio [aut] | Marsh, Steven [aut] | Martin-Márquez, Susan [aut] | Zunzunegui, Santos [aut] | Perriam, Chris [aut] | Peiró, Eva Woods [aut] | Labanyi, Jo [aut] | Martín, Annabel [aut] | Ortega, Vicente Rodríguez [aut] | Vernon, Kathleen M [aut] | Pavlović, Tatjana [aut] | Toribio, Nuria Triana [aut] | Sánchez-Biosca, Vicente [aut] | Gubern, Román [aut] | Cerdán, Josetxo [aut] | Alberich, Ferran [aut] | Palacio, Manuel [aut] | Faulkner, Sally [aut] | Smith, Paul Julian [aut] | Gutiérrez-Albilla, Julián [aut].
Material type: TextTextSeries: Wiley-Blackwell companions to national cinemas: Publisher: Chichester : Wiley-Blackwell, 2013Description: xxv, 638 str. : ilustr. ; 25 cm.ISBN: 9781119170136.Subject(s): Motion pictures -- Spain | Film -- historia | Motion pictures -- History | španjolska kinematografija | španjolski filmOther classification: Imb-k
Contents:
Part I Reframing the National 2 Transnational Frameworks / Gerard Dapena, Marvin D’Lugo, and Alberto Elena 3 Echoes and Traces: Catalan Cinema, or Cinema in Catalonia / Brad Epps 4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia / José Colmeiro and Joseba Gabilondo Part II The Construction of the Auteur 5 Auteurism and the Construction of the Canon / Marvin D’Lugo and Paul Julian Smith 6 Strategic Auteurism / Antonio Lázaro-Reboll, Steven Marsh, Susan Martin-Márquez, and Santos Zunzunegui Part III Genre 7 Comedy and Musicals / Steven Marsh, Chris Perriam, Eva Woods Peiró, and Santos Zunzunegui 8 Melodrama and Historical Film / Jo Labanyi, Annabel Martín, and Vicente Rodríguez Ortega 9 Film Noir , the Thriller, and Horror / Jo Labanyi, Antonio Lázaro-Reboll, and Vicente Rodríguez Ortega Part IV Stars as Cultural Icons 10 The Construction of the Star System / Kathleen M. Vernon and Eva Woods Peiró 11 Stars, Modernity, and Celebrity Culture / Tatjana Pavlović, Chris Perriam, and Nuria Triana Toribio Part V Image and Sound 12 Photography, Production Design, and Editing / Vicente Sánchez-Biosca 13 Soundtrack / Román Gubern and Kathleen M. Vernon Part VI The Film Apparatus: Production, Infrastructure, and Audiences 14 Censorship, Film Studios, and Production Companies / Josetxo Cerdán, Román Gubern, Jo Labanyi, Steven Marsh, Tatjana Pavlović, and Nuria Triana Toribio 15 Film Clubs, Festivals, Archives, and Magazines / Ferran Alberich, Román Gubern, and Vicente Sánchez-Biosca 16 Audiences / Manuel Palacio and Kathleen M. Vernon Part VII Relations with Other Media 17 Cinema, Popular Entertainment, Literature, and Television / Sally Faulkner, Vicente Sánchez-Biosca, and Paul Julian Smith Part VIII Beyond the Fiction Film 18 Newsreels, Documentary, Experimental Film, Shorts, and Animation / Josetxo Cerdán and Vicente Sánchez-Biosca Part IX Reading Films through Theory 19 Isabel Coixet ’ s Engagement with Feminist Film Theory: From G (the Gaze) to H (the Haptic) / Susan Martin-Márquez 20 Becoming a Queer (M)Other in/and/through Film: Transsexuality, Trans-subjectivity, and Maternal Relationality in Almodóvar ’ s Todo sobre mi madre / Julián Daniel Gutiérrez-Albilla 21 The Space of the Vampire: Materiality and Disappearance in the Films of Iván Zulueta / Brad Epps Index
Summary: A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field Combines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films Explores Spanish cinema’s cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a “national” cinema Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors Presents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research
List(s) this item appears in: Komparativna_Prinove_2018
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Item type Current location Collection Call number Status Date due Barcode Item holds
Knjiga Knjiga Knjižnica FFZG
4. kat, komparativna književnost
Komparativna književnost EC16.6 SPAN.CIN Available 1305217938
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Bibliografija uz poglavlja. - Kazalo

Part I Reframing the National

2 Transnational Frameworks / Gerard Dapena, Marvin D’Lugo, and Alberto Elena

3 Echoes and Traces: Catalan Cinema, or Cinema in Catalonia / Brad Epps

4 Negotiating the Local and the Global: Andalusia, the Basque Country, and Galicia / José Colmeiro and Joseba Gabilondo

Part II The Construction of the Auteur

5 Auteurism and the Construction of the Canon / Marvin D’Lugo and Paul Julian Smith

6 Strategic Auteurism / Antonio Lázaro-Reboll, Steven Marsh, Susan Martin-Márquez, and Santos Zunzunegui

Part III Genre

7 Comedy and Musicals / Steven Marsh, Chris Perriam, Eva Woods Peiró, and Santos Zunzunegui

8 Melodrama and Historical Film / Jo Labanyi, Annabel Martín, and Vicente Rodríguez Ortega

9 Film Noir , the Thriller, and Horror / Jo Labanyi, Antonio Lázaro-Reboll, and Vicente Rodríguez Ortega

Part IV Stars as Cultural Icons

10 The Construction of the Star System / Kathleen M. Vernon and Eva Woods Peiró

11 Stars, Modernity, and Celebrity Culture / Tatjana Pavlović, Chris Perriam, and Nuria Triana Toribio

Part V Image and Sound

12 Photography, Production Design, and Editing / Vicente Sánchez-Biosca

13 Soundtrack / Román Gubern and Kathleen M. Vernon

Part VI The Film Apparatus: Production, Infrastructure, and Audiences

14 Censorship, Film Studios, and Production Companies / Josetxo Cerdán, Román Gubern, Jo Labanyi, Steven Marsh, Tatjana Pavlović, and Nuria Triana Toribio

15 Film Clubs, Festivals, Archives, and Magazines / Ferran Alberich, Román Gubern, and Vicente Sánchez-Biosca

16 Audiences / Manuel Palacio and Kathleen M. Vernon

Part VII Relations with Other Media

17 Cinema, Popular Entertainment, Literature, and Television / Sally Faulkner, Vicente Sánchez-Biosca, and Paul Julian Smith

Part VIII Beyond the Fiction Film

18 Newsreels, Documentary, Experimental Film, Shorts, and Animation / Josetxo Cerdán and Vicente Sánchez-Biosca

Part IX Reading Films through Theory

19 Isabel Coixet ’ s Engagement with Feminist Film Theory: From G (the Gaze) to H (the Haptic) / Susan Martin-Márquez

20 Becoming a Queer (M)Other in/and/through Film: Transsexuality, Trans-subjectivity, and Maternal Relationality in Almodóvar ’ s Todo sobre mi madre / Julián Daniel Gutiérrez-Albilla

21 The Space of the Vampire: Materiality and Disappearance in the Films of Iván Zulueta / Brad Epps

Index

A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives.

Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives
Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field
Combines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films
Explores Spanish cinema’s cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a “national” cinema
Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors
Presents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research

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