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Empathy and the novel / Suzanne Keen.

By: Keen, Suzanne.
Material type: TextTextPublisher: Oxford ; New York : Oxford University Press, 2010Edition: 1st Oxford University Press pbk.Description: xxix, 242 str. ; 25 cm.ISBN: 0199740496; 9780199740499.Subject(s): Fiction -- Psychological aspects | Empathy | Empathy in literature | Empathy in literature | fikcionalna književnost psihološki aspekti | empatija | empatija u književnosti
Contents:
Contemporary perspectives on empathy -- The literary career of empathy -- Readers' empathy -- Empathy in the marketplace -- Authors' empathy -- Contesting empathy -- Appendix : a collection of hypotheses about narrative empathy.
Summary: Does empathy felt while reading fiction actually cultivate a sense of connection, leading to altruistic actions on behalf of real others? Empathy and the Novel presents a comprehensive account of the relationships among novel reading, empathy, and altruism. Drawing on psychology, narrative theory, neuroscience, literary history, philosophy, and recent scholarship in discourse processing, Keen brings together resources and challenges for the literary study of empathy and the psychological study of fiction reading. Empathy robustly enters into affective responses to fiction, yet its role in shaping the behavior of emotional readers has been debated for three centuries. Keen surveys these debates and illustrates the techniques that invite empathetic response. She argues that the perception of fictiveness increases the likelihood of readers' empathy in part by releasing them from the guarded responses necessitated by the demands of real others. Narrative empathy is a strategy and subject of contemporary novelists from around the world, writers who tacitly endorse the potential universality of human emotions when they call upon their readers' empathy. If narrative empathy is to be taken seriously, Keen suggests, then women's reading and responses to popular fiction occupy a central position in literary inquiry, and cognitive literary studies should extend its range beyond canonical novels. In short, Keen's study extends the playing field for literature practitioners, causing it to resemble more closely that wide open landscape inhabited by readers.
List(s) this item appears in: Komparativna_prinove_2019 | PDS književnosti_Pristupi i pojmovi u naratologiji (Peternai Andrić)_literatura
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Item type Current location Collection Call number Status Date due Barcode Item holds
Knjiga Knjiga Knjižnica FFZG
4. kat, komparativna književnost
Komparativna književnost EC01.6 KEE E (Browse shelf) Available 1305251874
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Bibliografija: str. 209-234. - Kazalo

Contemporary perspectives on empathy -- The literary career of empathy -- Readers' empathy -- Empathy in the marketplace -- Authors' empathy -- Contesting empathy -- Appendix : a collection of hypotheses about narrative empathy.

Does empathy felt while reading fiction actually cultivate a sense of connection, leading to altruistic actions on behalf of real others? Empathy and the Novel presents a comprehensive account of the relationships among novel reading, empathy, and altruism. Drawing on psychology, narrative theory, neuroscience, literary history, philosophy, and recent scholarship in discourse processing, Keen brings together resources and challenges for the literary study of empathy and the psychological study of fiction reading. Empathy robustly enters into affective responses to fiction, yet its role in shaping the behavior of emotional readers has been debated for three centuries. Keen surveys these debates and illustrates the techniques that invite empathetic response. She argues that the perception of fictiveness increases the likelihood of readers' empathy in part by releasing them from the guarded responses necessitated by the demands of real others. Narrative empathy is a strategy and subject of contemporary novelists from around the world, writers who tacitly endorse the potential universality of human emotions when they call upon their readers' empathy. If narrative empathy is to be taken seriously, Keen suggests, then women's reading and responses to popular fiction occupy a central position in literary inquiry, and cognitive literary studies should extend its range beyond canonical novels. In short, Keen's study extends the playing field for literature practitioners, causing it to resemble more closely that wide open landscape inhabited by readers.

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