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A tradition of subversion : the prose poem in English from Wilde to Ashbery / by Margueritte S. Murphy.

By: Murphy, Margueritte S.
Material type: TextTextPublisher: Amherst : University of Massachusetts Press, cop. 1992Description: [xii], 246 str. , 24 cm.ISBN: 0870237810.Subject(s): American prose literature -- 20th century -- History and criticism | American poetry -- 20th century -- History and criticism | Prose poems, American -- History and criticism | Social norms in literature | Dissenters in literature | pjesma u prozi Sjedinjene Američke Države | društvene norme u književnosti | disidenti u književnosti
Contents:
Introduction
1. The prose poem as a decadent genre
2. "Out on a Limn": the prose poem's tradition of subversion
3. William Carlos William's 'Kora in hell': A genre of improvisation
4. Gertrude Stein's 'Tender buttons': Beyond description: A new domestic language
5. John Ashbery's 'Three poems': Prose and the poetics of inclusion
Conclusion
Summary: From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other". At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict. Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities.
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4. kat, komparativna književnost
Komparativna književnost EC06.2 MUR (Browse shelf) Available 1305262096
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Bibliografija: str. 233-240. - Kazalo

Introduction

1. The prose poem as a decadent genre

2. "Out on a Limn": the prose poem's tradition of subversion

3. William Carlos William's 'Kora in hell': A genre of improvisation

4. Gertrude Stein's 'Tender buttons': Beyond description: A new domestic language

5. John Ashbery's 'Three poems': Prose and the poetics of inclusion

Conclusion

From its inception in nineteenth-century France, the prose poem has embraced an aesthetic of shock and innovation rather than tradition and convention. In this suggestive study, Margueritte S. Murphy both explores the history of this genre in Anglo-American literature and provides a model for reading the prose poem, irrespective of language or national literature. Murphy argues that the prose poem is an inherently subversive genre, one that must perpetually undermine prosaic conventions in order to validate itself as authentically "other". At the same time, each prose poem must to some degree suggest a traditional prose genre in order to subvert it successfully. The prose poem is thus of special interest as a genre in which the traditional and the new are brought inevitably and continually into conflict.

Beginning with a discussion of the French prose poem and its adoption in England by the Decadents, Murphy examines the effects of this association on later poets such as T.S. Eliot. She also explores the perception of the prose poem as an androgynous genre. Then, with a sensitivity to the sociopolitical nature of language, she draws on the work of Mikhail Bakhtin to illuminate the ideology of the genre and explore its subversive nature. The bulk of the book is devoted to insightful readings of William Carlos Williams's Kora in Hell, Gertrude Stein's Tender Buttons, and John Ashbery's Three Poems. As notable examples of the American prose poem, these works demonstrate the range of this genre's radical and experimental possibilities.

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